A row of standard units at base camp
Standard units are the workhorse of a location shoot. They sit in a row near the production trucks and catering, off camera, and serve the whole crew. This is the usual choice for one to three days.
Portable toilets and handwash for crews shooting in city parks, rec centres and on the street, arranged through an independent local provider.
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A film or media shoot rents portable toilets when the location has no restroom the crew can use all day. Shoots on Parks and Recreation property need a city media permit, which is filed 10 business days ahead or carries a surcharge. Philadelphia Porta Potty Rental connects you with an independent local provider; it does not issue permits.
A shoot is a small village that appears for a day and vanishes. Cast, camera, lighting, sound, wardrobe and catering all arrive at a location that was built for something else, and the one thing a park lawn or a plaza almost never has is a restroom that can take thirty people from a six a.m. call to a late wrap. A row of portable units, set well away from the camera, fills that gap.
Philadelphia gives location scouts an unusual range: the Museum of Art and Eakins Oval, Fairmount Park, rec centres, cobbled Germantown Avenue, rowhouse blocks, riverfront piers. Each one has its own rules about who must approve a shoot and where a truck can stand. This page covers the media permit as the city publishes it, how crews usually think about unit count, and the placement questions that decide whether units stay out of the frame.
Philadelphia Porta Potty Rental is a call line. It does not own units, issue permits or schedule your shoot. A call connects you with an independent local provider who delivers, services and collects the units when it has them free.
Do not try to move, tip or empty a unit to clear a shot. Ask the provider to relocate it; a unit that has been dragged or tipped should not be used, and servicing is the provider's job.
Know whether the site is city Parks and Recreation property, a street or private ground. The media permit, the owner's consent or the street's rules decide where units may stand, so sort that out before you call for units.
Give the provider the head count at the busiest hour, including extras and catering, and the number of shoot days. Crew size drives the number of units and the servicing plan.
Place units near base camp but outside every sight line and every audio path. Ask the location manager for a firm, level spot a service truck can reach.
Book far enough ahead that the provider can bring units on or before the first morning, when it has units free. Short notice is when a provider is least likely to have what you need.
On a multi-day shoot, agree servicing between days. After wrap, tell the provider the pickup date so the units do not sit on a park lawn after the permit ends.
No sourced Philadelphia provider prices exist for this service, so this page shows no dollar figures. What a quote comes to depends on a few things you can estimate before you call.
| Job | Typical range | What it includes |
|---|---|---|
| Number of units | Set by the crew at its busiest | Add extras, catering staff and any visiting production staff to the head count |
| Number of shoot days | Quoted for your schedule | A one-day location and a two-week series arc are priced as different arrangements |
| Servicing between days | Agreed with the provider | A multi-day shoot needs the units serviced while the crew is away |
| Placement and access | Depends on the location | A park lawn, a plaza and a closed street each need a different truck route |
| Handwash stations, accessible unit or trailer | Priced as separate lines | Catering on site makes a handwash station worth asking about |
Ask the provider for a written quote that covers delivery, servicing and pickup. Philadelphia Porta Potty Rental does not set or publish provider prices.
A media permit is needed to shoot on Parks and Recreation property, which means parks, rec centres and the Museum of Art, and it is filed 10 business days ahead or a surcharge applies. A third-party guide says no permit is required to shoot on city streets if you are not affecting traffic.
The 10 business days is the detail that catches producers. A permit filed late is not refused outright; it carries a surcharge, so a last-minute change of location costs money on top of everything else. Work the permit backward from the shoot date and book units only once the location is settled.
The street rule is a third-party site's wording, not the city's own text: "No permits are required to shoot on the streets of Philadelphia if you are not affecting traffic." Treat it as a starting point and confirm with the city, especially if the shoot parks a truck, runs cable across a pavement or blocks a lane. Ask the city whether a row of units on a pavement or in a parking lane changes the answer.
That depends on the location and the size of the gathering, so ask the city. The Department of Public Health permits portable chemical toilets at public events, and city park events with 50 or more people in one location, or with portable toilets, need a Large Event and Festival permit. Confirm whether either applies.
A closed-set shoot is not a public event in the ordinary sense, and the city's event rules were written with festivals and races in mind. But the same park lawn might host a permitted event the following weekend, and a production with a large crowd of extras can look like one. The sensible move is to ask the Parks and Recreation permit office which approvals your shoot needs, and to say that portable toilets are part of the plan.
The organiser, not the provider, makes that call and holds the paperwork. If a permit applies, the provider can tell you what information it wants to see, such as the number of units and the spot.
Near base camp, behind the production trucks, off every camera angle and sound path, on firm level ground a service truck can reach. In a park that often means a service road or a parking-lot corner rather than the lawn the scene is on.
A portable toilet is a bright, blocky object, and it drifts into a wide shot more easily than anyone expects. Walk the location at the same time of day as the scene and look at the horizon in every direction the camera might swing.
Sound matters too. A door that bangs or a truck that backs up during a take costs the production a reset. Ask the provider about delivery and pickup timing so servicing does not happen while the cameras roll. Keep units clear of fire exits, hydrants and any accessible route. On soft ground or a slope the units need anchoring, so tell the provider about the ground before delivery.
Standard units are the workhorse of a location shoot. They sit in a row near the production trucks and catering, off camera, and serve the whole crew. This is the usual choice for one to three days.
A shoot that draws a crowd, hosts a public audience or includes cast or crew who need an accessible restroom calls for an accessible unit. These are larger, so tell the provider the spot before delivery.
A large production on a long location, with cast who want something closer to a dressing-room restroom, may rent a flushable trailer instead. It is a bigger placement job and needs more room; see flushable restroom trailers.
Philadelphia's film-friendly locations are mostly public land: Fairmount Park, the Museum of Art and Eakins Oval, and Wissahickon Valley Park, which covers 1,800 acres. That makes the Parks and Recreation media permit the first conversation for many productions, and it shapes where units can go.
Weather decides more of a shoot than a call sheet admits. Philadelphia's July highs average about 86 F and January lows about 27 F, so a summer shoot wants servicing planned for heat and a winter shoot needs access kept clear for the service vehicle; see hot and cold weather servicing.
Tell us what's happening and we'll tell you honestly whether it's a quick fix, and what film and media shoot toilets should cost.
Not sure if you're covered? Check your ZIP code.
Portable toilets for Philadelphia events of every size, with the city permits and the crowd questions an organizer has to answer first.
Towable restrooms with flush toilets and sinks for large Philadelphia crowds, long events and venues that want more than a row of single units.
How Philadelphia summers and winters change servicing, from heat-wave schedules to a winter additive and clear access, through an independent provider.
For a public event, yes: the Philadelphia Department of Public Health issues permits for portable chemical toilets.
It depends on the head count at the busiest hour and the length of the shooting day. Add extras, catering and any visiting staff to the crew number. No sourced rule for film sets is cited here, so ask the provider and the location what they expect.
A third-party guide says no permit is needed to shoot on city streets if you are not affecting traffic. Confirm that with the city for your plan. A truck, cable run or toilet row that narrows a lane or pavement may count as affecting traffic.
As soon as the location and the media permit are settled, because that permit is filed 10 business days ahead. A provider can supply units only when it has them free, and short notice is when that is least likely. Book with the shoot dates in hand.
Usually, if the location and permit allow it and the provider agrees. Tell the provider the number of days at the start and arrange servicing between them. If the shoot moves, call the provider so pickup and the permit end date stay aligned.
They can be, so place them deliberately. Walk the location at the scene's time of day, keep units behind production trucks or on a service road, and check every camera angle. The provider can deliver where you point, but the location manager decides what the camera sees.